The Girl in the Bay (Berger Books/Dark Horse, 2018-2019) Colourist Writer: JM DeMatteis / Artist: Corin Howell / Letterer: Clem Robins / Editor: Karen Berger / Design: Richard Bruning / Assistant Editor: Rachel Boyadjis CLICK TO ENLARGE EACH IMAGE
Brawler #02: Wolfheart (Time Bomb Comics, 2021) Artist, Colourist, Variant Cover Artist Writer: Ferg Handley / Letterer: Bolt-01 / Editor: Steve Tanner CLICK TO ENLARGE EACH IMAGE
The Girl in the Bay (Berger Books/Dark Horse, 2018-2019) Colourist Writer: JM DeMatteis / Artist: Corin Howell / Letterer: Clem Robins / Editor: Karen Berger / Design: Richard Bruning / Assistant Editor: Rachel Boyadjis CLICK TO ENLARGE EACH IMAGE
Brawler #02: Wolfheart (Time Bomb Comics, 2021) Artist, Colourist, Variant Cover Artist Writer: Ferg Handley / Letterer: Bolt-01 / Editor: Steve Tanner CLICK TO ENLARGE EACH IMAGE
Brawler #02: Wolfheart (Time Bomb Comics, 2021) Artist, Colourist, Variant Cover Artist Writer: Ferg Handley / Letterer: Bolt-01 / Editor: Steve Tanner CLICK TO ENLARGE EACH IMAGE
Tomorrow (Berger Books/Dark Horse, 2019-2020) Colourist Writer: Peter Milligan / Artist: Jesus Hervas / Letterer: Sal Cipriano / Editor: Karen Berger / Design: Richard Bruning / Assistant Editor: Rachel Boyadjis CLICK TO ENLARGE EACH IMAGE
Dark Ascension: It’s Tough at the Big Top (Dragnet Press / Deanimated, 2012-2013) Writer, Artist, Colourist, Letterer Scottish Indie Comic Book Alliance (SICBA) Award Winner 2013 Dark Ascension – Best Artist Dark Ascension – Best Writer CLICK TO ENLARGE EACH IMAGE
Planet Divoc-91 (Webtoons, 2020-2021) Colourist, Artist, Designer Writers: Sara Kenney, Charlotte Bailey, Nabeel Petersen, Bobby Joseph / Editor: Kirsten Murray / Artists: Charlie Adlard, Nick Brokenshire, Hannah Berry, Rachael Smith, Karrie Fransman, Anand RK, Zara Slattery / Letterer: Hassan Otsmane-Elhaou / Cover Artists: Elsa Charretier, Matt Kindt, VV Glass, Leslie Hung, Marco Finnegan, Føk, David […]
Dark Ascension: Confession (Dragnet Press / Deanimated, 2005-2008) Co-Writer, Artist, Colourist, Letterer Co-Writer: Will Marshall Scottish Indie Comic Book Alliance (SICBA) Award Winner 2013 Dark Ascension – Best Artist CLICK TO ENLARGE EACH IMAGE
Vietnam Zombie Holocaust # 01 – 04 (Cult Empire Comics, 2014-2017) Artist, Colourist, SFX, Designer Writer: George Lennox Scottish Indie Comic Book Alliance (SICBA) Award Winner 2015 Vietnam Zombie Holocaust – Best Cover Yancy Street Award Winner 2017 Vietnam Zombie Holocaust – Best Artist Vietnam Zombie Holocaust – Best Cover Collected Edition Reborn to Kill […]
LaGuardia (Berger Books/Dark Horse, 2018-2019) Colourist Writer: Nnedi Okorafor / Artist: Tana Ford / Letterer: Sal Cipriano / Editor: Karen Berger / Design: Richard Bruning / Assistant Editor: Rachel Boyadjis Eisner Award Winner 2020 LaGuardia – Best Graphic Album – Reprint Hugo Award Winner 2020 LaGuardia – Best Graphic Story or Comic CLICK TO ENLARGE […]
Blood Nation #01, 02 (Platinum Studios, 2003-2006) Artist, Colourist Writer: Rob Moran / Editor: Lee Nordling CLICK TO ENLARGE EACH IMAGE
School of the Damned # 01, 02 (Black Hearted Press, 2011) Artist, Grey Tones Writer: John Farman Scottish Indie Comic Book Alliance (SICBA) award winner 2012 School of the Damned – Best Artist School of the Damned – Best Cover CLICK TO ENLARGE EACH IMAGE
Supergirl #54, 55: Bizarrogirl (DC, 2010) Colourist Jamie Grant: Co-Colourist / Writer: Sterling Gates / Artists: Jamal Igle, Jon Sibal / Editors: Matt Idelson, Wil Moss CLICK TO ENLARGE EACH IMAGE
Testament #01 – 22 (DC Vertigo, 2005-2007) Colourist Writer: Douglas Rushkoff / Artists: Liam Sharp, Gary Erskine, Dean Ormston, Peter Gross / Letterers: Jared K Fletcher, Todd Klein / Editors: Pornsak Pichetshote, Jonathan Vankin / Lead Colourist (issues # 01-05): Jamie Grant CLICK TO ENLARGE EACH IMAGE
And so, with Vietnam Zombie Holocaust finally complete, I thought it’d be cool to see all five covers side-by-side, along with their black & white variant counterparts…
Surgeon X #05 is probably my favourite issue from the series, at least visually. It might be something to do with the fact that the Science Fiction elements of the story are really at the fore here, with much of the action being set in a space station, and in VR simulations. This gave John […]
